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作为格非疯谱文本的重要一笔,《傻瓜的诗篇》鲜明地体现出格非于后现代主义视域下呈现的“疯癫”美学。本文试从结构主义角度解析“疯癫”者在符号化生存空间中的物化现象,并解读文本中的显性与隐性精神分裂者的本我的释放与自我构建,由此来探究其“理性—疯癫”二元对立结构的错置倒换所带来的反讽效果。通过透视格非文本所构建的个体微观精神图景,来解读当前时代中国的现代性焦虑与都市社会中的精神荒岛困境。
As an important part of the text of Crazy Madge, Fool’s Psicle clearly reflects the “Madness ” aesthetics that Gefei lays on the field of postmodernism. This paper attempts to analyze the phenomenon of “madness” in the symbolic living space from the perspective of structuralism and explore the release and self-construction of the self and the self-expression of the dominant and recessive schizophrenic in the text “Rational - madness ” binary opposition structure of the shift caused by the irony effect. Through the perspective of the individual micro-spirits constructed by Ge Fei’s texts, we can interpret the contemporary Chinese anxiety of modernity and the spiritual dilemma in the urban society.