本期的封面是一幅日本的木刻画《藤原俊臣的女儿》。作者不详。藤原俊臣(1114—1204)是日本平安时代的一位著名歌人,六十三岁时出家为僧,法名释阿。出家前,俊臣曾在歌坛名噪一时,著作颇丰,重要的代表作品有《长秋咏藻》(1178)等。画面上的这个妇女是俊臣的养女。据说,她也是一位出色的歌人。丈夫死后,她也遁入空门。这幅木刻是日本浮世绘风格的作品。画面上描绘了一个日本妇女正在出游,表现了人民日常生活的场面。浮世绘的画家在勾画人物时,人物的面部往往是类型化的,这和西洋画不同,并不是真实地画出人物的五官面貌。从这幅作品可以看到,画家 This issue’s cover is a Japanese woodcut “Fujiwara Junchen’s daughter.” Author unknown. Fujiwara Jun-hyun (1114-1204) was a famous Japanese singer in his time of peace and was a monk at the age of 63, a Buddhist name. Before his departure, Junchen had a reputation in the music scene, quite a book, an important representative of the works, “Changyu Aria” (1178) and so on. This woman on the screen is Jun-min’s daughter-in-law. It is said that she is also a great singer. After her husband died, she fled into the empty door. This woodcut is a Japanese Ukiyo-e style work. The picture depicts a scene in which a Japanese woman is traveling and shows her everyday life. Ukiyo-e painter in the sketch character, the character’s face is often typed, which is different from the Western painting, is not a real picture of the facial features of the characters. Can be seen from this piece, painter