朱志荣教授的《中国艺术哲学》(修订版)作为国家“九五”出版规划项目、国家教委“九五”出版重点选题,曾于1997年在东北师范大学出版社出版了第一版,当年即被誉为我国“九五”期间文艺美学和艺术理论的代表性著作。时隔15年,该书修订版于2012年6月由华东师范大学出版社推出,在第一版的基础上增加了“天才”、“体势”和“气韵”等章节,更兼修饰文辞、删除重复,呈现出焕然一新的面貌。中国古代本没有名为“中国艺术哲学”的著作。该书所说的中国艺术哲学,是作者在借鉴西方系统理论作为参照坐标的基础上,对中国古代的艺术理论所作的一种梳理、概括和总结,体现了作者对中国古代艺术思想的哲学思考和当代意识。作者指出,艺术在中国人的精神生活中有着重要作用,中国古代的艺术思想体现了古人的哲学背景。在中国古人的诗性思维中,万事 Professor Zhu Zhirong’s “Philosophy of Chinese Art” (revised edition) as the national “95 ” publishing planning project, the State Education Commission “95 ” published key topics, in 1997 at the Northeast Normal University Press published the first One edition, that year was hailed as China “95 ” during the literary aesthetics and art theory representative works. After a lapse of 15 years, the revised edition of the book was launched by East China Normal University Press in June 2012, adding “Genius”, “Body” and “Spirit” in the first edition Chapters, but also decorated decorated dictionaries, delete duplicate, showing a new look. In ancient China there was no such book entitled “Philosophy of Chinese Art.” The book, referring to Chinese art philosophy, is a sort of reviewing and summarizing of ancient Chinese art theory based on the reference of western systematic theory as reference coordinates, reflecting the author’s philosophical thinking on ancient Chinese art thoughts And contemporary consciousness. The author points out that art plays an important role in the spiritual life of Chinese people, and the ancient Chinese art reflects the philosophical background of the ancients. In ancient Chinese poetic thinking, everything