江南漆艺清新典雅,多为文人意匠左右;北方漆艺繁富雄浑,笼罩宫廷审美趣味;东南沿海则奇巧新意,透露市民情调;而中南、西南地区,由于地理环境相对封闭,少受东洋、西洋八面来风的影响,漆器如瓶、盘、盒、糖缸等小件器皿,紧扣实用,不拘程式,散发着乡风土韵。以布胎和摆锡为特色的宜春漆艺郑师许《漆器考》记,五代两宋,中国漆器的制造中心“初为湖南,后移江西”。宋元间,江西庐陵就以制造螺钿漆器知名,而宜春和龙南则久有 South lacquer art is fresh and elegant, mostly about the literati and craftsmanship; the northern lacquer art is rich and powerful, covering the court’s aesthetic taste; the southeast coast is surprisingly new, revealing the public sentiment; and south-south and southwest regions, due to the geographical environment is relatively closed, The impact of the Western wind and the wind, lacquer bottles, dishes, boxes, sugar cylinders and other small pieces of equipment, closely linked to practical, informal style, exudes the charm of the local culture. Yibu lacquer with cloth tire and pewter Zheng Shixu “lacquer test” in mind, Five Dynasties and Song Dynasty, China lacquer manufacturing center “first as Hunan, later Jiangxi ”. Song and Yuan Dynasties, Luling on the manufacture of snail lacquer well-known, but Yichun and Longnan have a long time