陶瓷的装饰就其表现形式来看,不外乎有具象与抽象两种,对于从事陶瓷美术设计专业来淡,掌握抽象装饰因掌握具象装饰是同等重要的,如果我们沿着漫长的陶瓷发展史做一次粗略的回顾,不难发现;抽象的陶瓷装饰在审美上占有重要的地位,并且发展至今,得到广泛的应用,说明这种装饰形式存在着不容忽视的生命力。本文就其抽象装饰的形成,以及与生活自然的关系;古今运用抽象装饰,作为一个单独的问题,浅谈学习的一点体会,敬请教于前辈及同仁,并望指正。 Ceramic decoration in terms of its form of expression, nothing more than the image and the abstract are two kinds of ceramic art design professionals to light, master the abstract decoration is as important as the mastery of the concrete decoration, if we follow the long history of ceramic development To make a rough review, it is not difficult to find out; abstract ceramic decoration occupies an important position in the aesthetic, and has been widely used until now, indicating that this decorative form has vitality that can not be ignored. In this paper, the formation of its abstract decoration, and the relationship between life and nature; ancient and modern use of abstract decoration, as a separate issue, to learn a little experience, please teach your predecessors and colleagues, and hope correct.