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九十年代文学对经验和内容的过度倚重,导致了文学对“真实”的机械复制和审美想象力的放逐;所谓的“个人化写作”、“知识分子写作”和“民间写作”均未能逃脱“复制”的窠臼;而复制的文学造成了审美的单一化和批判精神的丧失。
The excessive reliance on experience and content in the 1990s led to literature’s exile of “real” mechanical copying and aesthetic imagination. All of the so-called “personal writing”, “intellectual writing” and “folk writing” failed Escape from the “copy” of the mortal; and copy of the literature has caused a simple aesthetic and critical spirit of loss.