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在新文人画家群中,余启平是一位真正意义上有中国古典诗学品质的画家,即是说,在中国古典诗学悄然已逝的今天,余启平的绘画延续着诗学中“追忆”的情怀,“追忆”使余启平的新文人画比以往的文人画多了一个诗学维度,这个诗学维度不是指以往文人画中的诗画合壁,而是指画面题材的诗学性正是余高平的画面透露出了中国传统文学迷幻的一面一即一种诗学的承诺,写作就是为了追忆,而余启平的绘画诗学也是为了追忆。 当被用滥了的逸笔草草的新文人画将文人画的缺点暴露无遗的时候,我们再回首观看余启平的绘画,就会感觉到新文人画在纵深处的意义,这种意义
In the group of new writers and artists, Yu Qiping is a painter with the true qualities of classical Chinese poetics. That is to say, with the quiet disappearance of classical Chinese poetics, Yu Qiping’s paintings continue the “recollection” of poetics Feelings, “Recalling” that Yu Qiping’s new scholar painting than the previous literati painting more than a poetic dimension, the poetic dimension does not refer to the past literati paintings in the poetic, but refers to the poetic nature of the picture is Yu Gao Ping’s picture reveals the psychedelic side of traditional Chinese literature that is a poetic commitment, writing is to recall, and Yu Qiping’s painting poetics is also to recall. When the abused scribbler’s new scholarly painting exposes the shortcomings of scholarly painting, when we look back at Yu Qiping’s paintings, we can feel the significance of the new literati painting in depth