引言:苗族服饰图案拥有最精湛的技术,最独特的外形,代表了该民族最深厚的文化底蕴同时形成了自己独具一格的风格。这些装饰图案符号成了苗族最直观的“文字”是苗族人民的一部“无字的史书”。同样,插画发展历史同样也是漫长的,从先秦到现代,插画家们通过画笔将中国传统绘画艺术的语言通过插画带到了大众的世界。千百年来这两者的发展密切都相关。本文从黔东南苗族服饰图案的纹样、配色、穿着场合出发,结合当地独特的宗教信仰、民族情感、审美取向探讨如何将这些具有特殊意义的图案有效的融入到现代插画当 Introduction: Miao costumes have the most exquisite technology, the most unique appearance, representing the deepest cultural heritage of the nation while forming its own unique style. These decorative pattern symbols became the most intuitive Hmong “text ” is a part of the Miao people “no word history book ”. Similarly, the history of illustration development is equally long. From the pre-Qin period to the modern era, illustrators brought the language of Chinese traditional painting art to the mass world through illustrations. The development of both has been closely linked for thousands of years. Based on the patterns, colors and wearing occasions of Miao costumes in southeastern Guizhou, this article explores how to integrate these patterns with special significance into the modern illustration with the local unique religious belief, national emotion and aesthetic orientation