论文部分内容阅读
一个音乐厅的好坏主要应该是由它的音质条件来决定的。1951年初在伦敦落成的皇家节日音乐厅在这一方面有非常出色的成就,无论它在平面布置,结构或饰面材料等方面都能从室内音质设计的考虑出发,并加以详细的推敲研究。在整个工作过程中(自初步设计乃至构造大样和完工后的测定),建筑师和声学专家、音乐家和其他有关方面保持密切的合作,其对待设计之负责态度和钻研精神尤其值得我们学习。在为个设计中不仅要解决若干室内声学上的问题,而且包括了噪声控制和隔绝等方面,也就是说几乎涉及建筑声学中所有主要的问题了。关于该应的某些声学上的讨论,例如技术测定方面作者已在电信科学1956年第6期上有过比较详细的介绍,不在这里叙述了。
The quality of a concert hall should mainly be determined by its sound quality. The Royal Festival Hall, which was completed in London in early 1951, has been an outstanding achievement in this area. Regardless of whether it is in the layout, structure, or decorative materials, it can be considered from the consideration of interior sound design and detailed research. Throughout the entire work process (from the initial design to the determination of the prototype and post-completion), the architects maintain close cooperation with acoustic experts, musicians and other relevant parties. Their attitude toward design and the spirit of study are particularly worth learning. . In a design, it is necessary not only to solve a number of problems in the interior acoustics, but also in terms of noise control and isolation, that is to say, almost all the major problems in architectural acoustics. Some of the acoustic discussions on the application, such as technical measurement, have been described in detail in the sixth edition of Telecommunication Science, 1956, and are not described here.