20世纪30年代,围绕本雅明的三部作品——《巴黎,19世纪的都城》、《机械复制时代的艺术作品》和《波德莱尔笔下第二帝国的巴黎》,阿多尔诺以书信的形式进行了批评性的回应,这就是所谓的阿多尔诺一本雅明之争。这场论争是一场美学论争,同时也是一场哲学论争,反映了阿多尔诺哲学思想的奠基与初成。 In the 1930s, around three Benjamin works - “Paris, the capital of the 19th century”, “works of art in the era of mechanical reproduction” and “Paris of the Second Reich in Baudelaire”, Adorno In the form of an epistle, a critical response was made, a so-called dispute between Adorno and Benjamin. This debate is an aesthetic debate and also a philosophical debate, which reflects the foundation and initial success of Adorno’s philosophy.