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中国诗歌与中国画都代表了中国独特的审美意识,代表了中国人特有的观察、认识世界的方式。在画家诗中,诗歌语言不仅表达语言的排列组合与形式律动,还关联着笔墨的律动,这种律动与诗人的情感脉搏一致,也与自然的呼吸同率。与中国画一样,中国诗歌也是写意的艺术。对于中国画与中国诗歌而言,那种拘泥于语言、笔墨等表面构成的认知是缺少意义的,探寻其神秘的生命意味,揭示语言之后的真相,才是中国艺术的表达特质。中国画的诗性之美注定了其与诗歌的本质相通,中国画的笔墨与中国诗歌的语言都是充满象征、隐喻、比兴意味的,抒发胸臆,怡养性情,有着独立自足的审美价值。
Both Chinese poetry and Chinese painting represent China’s unique aesthetic awareness and represent the unique way of Chinese people’s observation and understanding of the world. In the painter’s poem, the language of poetry not only expresses the permutation and combination of language but also the rhythm of form and ink, which is consistent with the poet’s emotional pulse and also with the natural breathing. Like Chinese painting, Chinese poetry is also a freehand art. For Chinese painting and Chinese poetry, the kind of cognition that is rigidly adhered to the surface composition of language, pen and ink is lack of meaning. Exploring the mysterious meaning of life and revealing the truth behind the language are the characteristics of Chinese art. The poetic beauty of Chinese painting is doomed to be interlinked with the essence of poetry. The Chinese painting and Chinese poetry are full of symbols, metaphors, and emotions.