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《画刊》:你原本不是画水墨的,为什么要转向呢?张文来:我从个人的生活、学习、读书和画画经验里面逐步悟出一个问题,就是如何先解决宏观问题。宏观问题是指导思想,是战略问题。所以把目标锁定,方法论解决了,发展过程基本上就是比较顺利的。《画刊》:那你的宏观诉求是什么?张文来:从绘画本身来说,我一直把自己安置在匠人这个角色上。我愿意做匠人。《天工开物》讲百工,现在回过头来看整个中国除了所谓的行政领导以外都是匠人,医生是医匠,开车的是车匠,我动手画画就是一
“Pictorial”: Why did you turn when you were not originally painting ink? Zhang Wenlai: From the personal experience of life, study, study and drawing, I came to realize one problem step by step: how to solve the macro issue first. The macroeconomic issue is the guiding ideology and is a strategic issue. Therefore, the target is locked and the methodology is solved. The development process is basically smooth. “Pictorial”: What is your macro appeal? Zhang Wenlai: From the painting itself, I have always placed myself in the role of artisan. I am willing to be a craftsman “Heavenly Creations” speaks of hundreds of handicrafts. Now, looking back, the whole of China is a tradesman except for the so-called executive leader. The doctor is a carpenter. The car is driven by the carpenter.