由李安编导的《推手》、《喜宴》、《饮食男女》所构成的“父亲三部曲”系列影片，注重在中西文化冲撞中开掘人性，生动形象地描写了家庭的解构和重组，并在表现传统文化和现代文化的差异与隔膜中探讨了各种伦理道德关系，具有独特的文化内涵和人文气韵。在这三部影片中，李安的文化观念和电影观念均得到了充分展现。 A series of “Father Trilogy” films composed of “Push Hands,” “Wedding Banquet,” and “Diet Men and Women,” directed by Ang Lee focus on digging human nature in the collision of Chinese and Western cultures and vividly depict family deconstruction and reorganization. In the performance of the differences between traditional culture and modern culture and the diaphragm explored a variety of ethical and moral relations, with unique cultural connotations and cultural charm. In these three films, Ang Lee’s cultural concepts and movie ideas have been fully demonstrated.