电影《五朵金花》与原生态歌舞集《云南映象》,已经成为云南民族文化的一个符号。前者在上世纪50年代末大跃进时代塑造了一个唯美的少数民族民间新故事,后者在全球化的背景下将民族文化遗产搬到了大众消费的广场。对于少数民族文化元素不同形式的利用与发扬,折射了其命运与中国时代转型纠葛缠绕的深刻印记。 The movie “Five Golden Flowers” and the original eco-song and dance set “Reflection of Yunnan” have become a symbol of Yunnan’s ethnic culture. The former shaped an aesthetic new story of folk minority in the era of the Great Leap Forward in the late 1950s, which moved the national cultural heritage to the square of mass consumption in the context of globalization. The utilization and development of different forms of ethnic minority cultural elements have reflected the profound imprint of their fate and the entanglement of transformation in the Chinese era.