张丹丹、李戈同志: ……究竟怎样从理论上阐述电视剧艺术的特点?因为我国电视剧艺术刚从摇篮中走出来,实践不多,没有成型的理论。这种情况使得许多热爱电视剧写作的青年,常常在这门艺术门前踟蹰,拿起笔来,不知怎样写才叫电视剧。只好照猫画虎:看看电影剧本怎么运用视觉表现手段;看看话剧怎么设计矛盾。然后写成电视剧,大致不离电影、话剧的模子。我写了几年电视剧,基本情况也是如此。当然,这样一味下去,是难以搞出有电视剧艺术特色的电视剧的。那么究竟电视剧艺术有怎样的特点呢?屏幕小?但是我看过日本投影电视剧,映出的形象同银幕上的形象一样大,艺术效果很好。所以那种因屏幕小而制约着电视剧必须怎样搞的理论,我就不信任了。还是 Zhang Dandan, Comrade Li Ge: ...... How to elaborate on the characteristics of TV drama art theoretically? Because China’s TV drama art just came out from the cradle, practice is not much, there is no molding theory. This situation makes many young people who love drama writing, often in front of this art staggering, picked up the pen, I do not know how to write called TV series. Had to take pictures of cat tiger: take a look at how the use of visual cinematic screenplay script means; how to design conflicts look at the drama. Then write a TV series, roughly from the movie, drama mode. I wrote a few years of drama, the basic situation is also true. Of course, this blindly, it is difficult to come up with a TV drama art features. So what exactly is the art of TV drama? The screen is small? However, I have seen Japanese projection TV series with the same image on the screen as the art works well. So the kind of theory that restricts how the drama must work because of the small screen, I do not trust it. still is