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四:斯堪的那维亚和日本的设计 进入本世纪60年代,欧美发达国家和亚洲的日本都已完成了现代设计的发展进程,各国也形成了具有本国特点的发展思路和设计特点。美国的设计以流行的大众文化和消费至上为准则;欧洲设计以德国、意大利和斯堪的那维亚为代表,德国的设计仍然保留了其重理性、重功能、重技术的特点;意大利则发展出带有意大利民族特征、注重发挥设计师才能和创造性的设计,70年代后成为世界杰出设计的代表;以芬兰、丹麦和瑞典为代表的斯堪的那维亚地区,在发展现代设计的过程中,强调功能也注重设计的人情味,把功能和美观完美的结合起来,其设计成为优稚设计的代名词。
Four: Scandinavia and Japan’s design into the 60s of this century, developed countries in Europe and America and Japan in Asia have completed the development process of modern design, countries have also formed with its own characteristics of the development of ideas and design features. The design of the United States is based on the prevailing popular culture and the supremacy of consumption. The design of Europe, represented by Germany, Italy and Scandinavia, still retains the features of its rationality, heavy function and heavy technical characteristics. Italy, on the other hand, Developed the design with the national characteristics of Italy, paid attention to the designer’s talent and creativity, and became the representative of the world’s outstanding design after the 1970s. In Scandinavia, represented by Finland, Denmark and Sweden, the development of modern design In the process, emphasizing the function also pays attention to the design of human touch, combining the perfect combination of function and aesthetics, and its design has become synonymous with childish design.