《伤逝》、《边城》和《围城》分别是现代文学中20年代、30年代和40年代的代表作品,这三部作品分别诠释了不同时代作家的爱情观。虽然这三部作品中具体的爱情描写表现出很大的差异,但是仔细分析却可以发现三部不同的作品存在着明显的相似处:作品中的主人公都企图建立理想的爱情,但最终都以爱情悲剧告终。不仅如此,造成其爱情悲剧的根源也是相同的,即中国的传统文化。 Mourning, Border Town and Fortress Besieged are the representative works of modern literature in the 1920s, 1930s and 1940s, respectively. These three works respectively interpret the view of love of writers in different ages. Although the specific descriptions of love in these three works show great differences, careful analysis shows that there are obvious similarities between the three different works: the protagonists in the works all try to establish the ideal love, but in the end, Love tragedy ended. Moreover, the root causes of their tragedies of love are also the same, that is, China’s traditional culture.