作为70后当代水墨的代表画家之一,杜小同有着别于其他画家的敏感与孤寂,在画面的处理上他会有意识的消解那些明确的“形”、弱化那些“物”的特指性、将潜在内心的情绪含干整体的精神深处,却又无迹可循。——编者秦霈(以下简称“秦”):之前见你早期的作品都是从杂志等印刷品上,这次得以见这么多的原作,能感触到更多细节,基本上可以梳理出各个时期作品的不同风格、变化. As one of the representative painters in the post-1970’s contemporary ink painting, Du Xiaotong has the sensitivity and loneliness different from other painters. He consciously eliminates those definite “form” and weakens those “things” The specific characteristics of the potential inner feelings of dry whole spirit, but no trace to follow. - Editor Qin Kui (hereinafter referred to as “Qin”): See you earlier works are from magazines and other printed matter, this time to see so many original, can feel more details, basically can sort out Different styles and changes of works in different periods