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作品《绝技》和《翱翔》的人物造型,纯属天然巧合。用材是极普通的荆条根。但它的形象确切地表现出了“根”的自然美。两个作品,除对人物的脸部、上肢、下肢进行脱皮加工,和对《翱翔》中下面人物的臂肘与上面人物的腋窝一钉相固(并非组合)外,都未作任何雕琢。另外,为使人物有动感,我大胆运用了“虚险实固”的手法,把上、下人物的相接处,故意表现得细微可分,以造成一种正在空间运动的气势。
Works “stunt” and “Soaring” character modeling, purely natural coincidence. Material is very common Jing root. But its image shows exactly the natural beauty of “root.” The two works were not carved except for the peeling of the faces, upper extremities, and lower extremities of the characters, and the fixing of the elbows of the lower figures in Soaring (not the combination) with the armpits of the upper figures. In addition, in order to make the characters feel dynamic, I dared to use the technique of “virtual reality and solidity” to deliberately subtly separate the upper and lower characters and create a feeling of being in space.