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忍冬纹是随着佛教艺术在我国的流传兴起而出现的一种外来样式,忍冬在东汉末期开始出现在佛教艺术上,南北朝时最流行。忍冬耐寒、耐旱、耐涝,耐盐碱,生命力顽强,这都是它成为古代寓意纹样并被佛家看好的原因。忍冬纹的产生、传播经过了一个曲折的过程,特别是在传入中国之后,由引进到改造,进而被消融在中华文化的整体之中。它从一个侧面反映出中华文化的开放性和吸收性——开放性显示了宽广的胸怀和不断进取的精神,吸收性体现了健康的机体和发展的潜力。
Lonicera japonica is an exotic pattern that emerges with the rise of Buddhist art in our country. Lonicera began to appear on the Buddhist art in the late Eastern Han Dynasty, with the most popular during Northern and Southern Dynasties. Honeysuckle cold hardy, drought, waterlogging, salt, vitality tenacious, which are the reasons it has become the ancient meaning patterns favored by the Buddhist. Lonicera pattern, the spread through a tortuous process, especially after the introduction of China, from the introduction to the transformation, and then be abused in the overall Chinese culture. It reflects the openness and absorptiveness of Chinese culture from one aspect - the openness shows a broad-minded and progressive spirit, and absorbs reflects the healthy body and the potential for development.