玉上烟是新世纪诗坛涌现出的重要代表性诗人之一,在与语言相处、相爱的过程中,她像一位魔术师一样得心应手。无论是早期的《由子和我》还是近期的《乳房之诗》系列,她的目光始终没有离开过生活在这个社会最底层的劳动者,并以其女性特有的敏感和悲悯之心用诗歌的形式记录在案。尤为可贵的是,她以高度自觉的不断否定自己写作的实践诠释了诗歌的真谛,给我们带来了巨大的阅读热情和快感。从优秀诗人到杰出诗人的羊肠小路上,尽管布满了荆棘,她依然亲切而从容不迫地向我们走来。 Jade smoke is one of the most important representative poets emerged in the poetry world in the new century. She is as handy as a magician in his life with language and love. Whether it is the early “Yoko and Me” or the recent “Poem of the Breasts,” her eyes never left the laborers who lived at the bottom of the society and used poetry in her own unique sense of sensitivity and compassion Form recorded. What is particularly valuable is that she interpreted the true meaning of poetry with a high degree of self-consciousness and continuously negated the practice of her own writing and brought us tremendous enthusiasm and pleasure in reading. From the good poet to the poet’s path, despite her thorns, she was kindly and unhurriedly approached us.