时间很快,写生那会儿的十年,一晃而过。“再写生·共写意”的展览距今三年有余,“文脉传薪”巡回画展连续两届,中国政协文史馆写意油画院的篇章翻过去了,北京当代中国写意油画学派研究院的牌子又挂上了。基本上还是这班人,执着写意中国,将油画落在本土文化的脉络上,不断地探索前行。他们这一代人,是改革开放以来走进画坛,从学院油画的教育开始,历经85新潮的冲击,在不断反省及具有批判性的实验中,踩踏出一条路,张扬了个性的旗帜。所以,在他们的时间表上,不是两年、三年或十年,而是三十年或四十年。新时期一代的中国油画面目逐渐清晰了。但这两年、三年或十年间,他们想寻找一个核心概念,表明艺术主张,同时也让其具有时代的针对性, Time is fast, sketching that decade, a flash by. “Reproduction of a total of freehand ” exhibition more than three years from now, “cultural merit biography ” touring exhibition for two consecutive sessions, the Chinese Literature and Art Museum of the Chinese People’s Political Consultative Conference Freehand Art Museum chapter turned over, Beijing contemporary Chinese freehand oil painting school Institute of the brand and hung up again. Basically, this group of people is also dedicated to China. They paint the painting on the thread of the local culture and continue to explore the course. Their generation has walked into the painting field since the reform and opening up. Starting from the education of college oil painting, after 85 shocks, with constant introspection and critical experiments, it stampede outlines the banner of individuality. Therefore, instead of two, three or ten years on their schedule, they can be thirty or forty years. The new generation of Chinese oil painting is gradually clear. However, in these two years, three years or ten years, they want to find a core concept that shows artistic propositions and at the same time make them time-oriented,