在欧洲文学史中,我们可以看到父亲形象在作品中的地位发生过一种根本性的改变。首先是父亲形象由中心地位,逐渐地退居配角,最后完全从作品中消失;其次,就父亲形象的本质而言,完美的父亲形象并不多见,大部分作品中的父亲是以反面的、或者被否定的形象出现的。再次,就父子关系而言,一方面表现父亲对于儿子的权威及影响,体现父与子的一脉相承关系;另一方面则表现父亲对儿子的压制,儿子对父亲的反抗,子的弑父行为和意识。总而言之,父亲在叙述中的地位,父亲的形象,父与子的关系,受到时代和作者本人道德观念的影响。在社会动荡、观念发生巨大变迁、传统的伦理道德遭到 In the history of European literature, we can see that the father’s image has undergone a fundamental change in his position. First of all, the father’s image gradually returns to the supporting role from the center and disappears completely from the work. Secondly, the perfect father’s image is rare in the nature of the father’s image. In most works, the father takes the negative , Or the negative image appears. Third, as far as father-son relationship is concerned, on the one hand, it shows the father’s authority and influence on his son and reflects the one-way relationship between father and son; on the other hand, it shows his father’s repression of his son, son’s father’s resistance, son’s fatherhood and awareness. All in all, the father’s status in the narrative, his father’s image, and his relationship with his father are influenced by the moral values ​​of the time and the author. In social unrest, the concept has undergone tremendous changes, and traditional ethics have been met