论文部分内容阅读
“物色”撷自《文心雕龙》第四十六篇之题,意指自然万物之声色形貌,宇宙万千皆可入画,糅工笔与写意于一处,熔山水、花鸟、人物于一炉,再加之造境的奇思臆想与叙事的重构延伸,林于思的水墨作品题材萃取亦指向于此,首次展出创作的长卷力作《如梦令》,力图将他造物的巧思最大限度地呈现。如果说师自然、绘万物、造奇境是林于思作品的表征,墨法和赋彩自如并用的绘“色”之道则是其作品的肌理,本次展览
From the “Wen Xin Diao Long” forty-sixth chapter of the issue, meaning the natural appearance of the sound of all things, the universe can be all kinds of paintings, melons and freehand brushwork in one place, melting mountains and rivers, flowers and birds, In a furnace, together with the reconstruction of the imagination and narrative relics of the extension of extension, Lin Yu-si’s ink painting theme extraction also points to this, for the first time the creation of the scroll masterpiece “dream orders”, trying to his creation Ingenious to maximize rendering. If we say that the nature of the teacher, the creation of all things and the creation of the miraculous environment are the representations of Lin Yu-si’s works, the way of painting and color painting is the texture of his works.