古今有成就的画家,都走着一条相同的道路,都必然地经过师承,觉醒、忘我三个发展时期。在第一个时期,都很自然地把注意力集中在物象与笔墨的把握上。这一步很重要,是打基础,积累经验,往脑子里存储信息,不下大力气不行。这时最容易犯一种毛病:死抱着某家某派,长时期不肯放手,久而久之,就形成“法障”。有一天忽然觉悟了,认识到,不冲破这种障碍,就不可能有所作为。这是一次关键性的觉悟!随之,就跃进到第二个发展时期了。第二个时期,是觉醒期,个性发展的时期。这时,探索范围不断扩展,深度不断加强,尤其是对大自然特别关注,并直接从大自然和生活中汲取营养。同时,对待传统,也不是像过去那样生吞活剥,而是着意发 Painters of ancient and modern achievements, are walking the same road, are bound to go through teacher training, awakening, selfless three development period. In the first period, it is natural to focus on the grasping of objects and brushstrokes. This step is very important, is to lay the foundation, accumulate experience, to store information in the mind, no less energetic. At this time most likely to make a mistake: a certain death clinging to a school for a long time refused to let go, over time, the formation of “law barrier ”. Suddenly realized one day, I realized that it is impossible to make a difference without breaking this obstacle. This is a critical awareness! Following this, it leapt to the second stage of development. The second period is the period of awakening and personality development. At this time, the scope of exploration is constantly expanding and deeper, with particular attention to nature and the direct extraction of nutrients from nature and life. At the same time, it is not the same as in the past, but the treatment of tradition