2002年,刘庆邦中篇小说《神木》获得第二届老舍文学奖,以此为契机,自2003年起,刘庆邦的研究进入了又一个春天。刘氏小说贴近民生和底层,尤其是他的创作手法与审美风格,形成了自己的风格和模式,一直以来受到评论家的赞许和追捧。 In 2002, Liu Qingbang’s novella Shenmu won the Second Lao She Literature Prize. Taking this as an opportunity, since 2003, Liu Qingbang’s research has entered yet another spring. Liu’s novels close to people’s livelihood and the bottom, especially his creative techniques and aesthetic style, formed his own style and pattern, which has been praised and sought after by critics.