光线对于绘画的最基本的意义是表现物体的体积和质感,这在古希腊时期就已经基本做到了。在中世纪,由于宗教的原因,绘画用光中断。文艺复兴对古希腊传统的借鉴,绘画用光趋向完善,物体质感的表现更为栩栩如生。光线在绘画中的经历告诉我们:对自然外貌的参照决定了写实绘画的发展进程。 The most basic meaning of light for painting is to represent the volume and texture of objects, which was basically done in ancient Greece. In the Middle Ages, painting was interrupted by religion for religious reasons. The Renaissance draws on the ancient Greek tradition, drawing light tends to improve, the performance of the object texture more vivid. The experience of light in painting tells us: the reference to the natural appearance determines the development of realistic painting.