五十年代初到六十年代中期是新中国民族器乐表演艺术的承前启后时期,筝乐发展在“传统”与“创新”这对矛盾的主体之间所表现出“时代性”与“统一性”。经过半个多世纪的衍变,当代筝乐无论在作品的创作,还是在演奏方面对比二十世纪五、 From the early 1950s to the mid-1960s was the pre-emptive period for the performance of the new Chinese national instrumental music performance. The development of the Zheng music showed a “timeliness” between the subjects of “traditional” and “innovation” “And ” unity ". After more than half a century of change, contemporary Zheng music both in the creation of works, or in terms of performance compared to the 20th century,