字体的设计与应用在现今的时代,变得愈来愈重要了。如王雪青在《平面设计的新动向》一文中所说:“今天,字体的应用效应已越来越被人们所重视,无论是对字体的选择或是对字体的使用都构成了衡量一个设计家优劣的标准。我们可以这么说,一个好的设计家可以用很差的字体,做出一个精彩的设计,而一个劣等设计家也可用一个很精彩的字体做一个极差的设计。”从这段话中可以看出,字体的设计固然很重要,如何应用,更是一个重要的问题。翻看近期的设计作品,我们会发现,字体在平面设计中不仅仅是起到提示表达的功用,它似乎已经愈来愈成为画面的一个组成部分,要求更有机的融于画面之中。虽然在字体的设计中,我们也一再强调字体与形象的 The design and application of typefaces have become more and more important in today’s era. As Wang Xueqing said in his article “The New Trend of Graphic Design”: “Today, the application effects of fonts have drawn more and more attention. Whether it is the choice of fonts or the use of fonts, it constitutes a measure Good and bad designer standards.We can say that a good designer can use a poor font, make a wonderful design, and a inferior designer can also use a very good font to make a very poor design. ”From this passage we can see that the font design is of course very important, how to apply it is an important issue. Looking at recent works of design, we find that fonts do not just serve as a clue to expression in graphic design, but seem to have become increasingly an integral part of the picture and require more organic integration into the picture. Although in the design of fonts, we have repeatedly stressed the fonts and images