提到学术规范,我真的有太多的话想说。因为美术学界现在才开始来讨论学术规范,已经比人文社会科学领域迟到了十年以上。因而对我这一代美术学人来说,谈到学术规范,我们既是最大的受益者,也是最大的受害者。这里只说受害的一方面。最切身的体会,就是自己的文章屡屡被人所抄袭。这也没有办法,因为据说我们生活在一个世界上最大的论文制造的国度里。为了升学、毕业、职称 When it comes to academic specifications, I really have too many words to say. Because the art community now only began to discuss academic norms, has been more than ten years later than the humanities and social sciences. Therefore, to my generation of fine arts scholars, when it comes to academic norms, we are both the biggest beneficiaries and the biggest victims. Here only one aspect of victimization. The most personal experience is that their own articles have repeatedly been copied. There is no solution to this either, because it is said that we live in a country where the largest essay in the world is made. In order to study, graduation, title