画马难,画正面的和背面的马更难。是什么原因使得汉代的工匠们知难而进? 今年《书城》第6期发表了李方先生的一篇文章,题目是《你无法画好一匹正面的马》。文章说,在中国美术史上,擅长画马的大家不少,但是从韩斡到徐悲鸿,几乎没有人从正面画一匹马。作者从心理学的角度分析了其中的原因,结论是:“之所以很少有人从正面画马,也许是因为很少有人从正面观察过一匹马。”我很喜欢这篇文章,因为当我在大学时代刚开始接触古代美术的材料时,也曾注意到这个现象。以前我只是想到透视的问题,而李先生又从观察者的角度来分析,更有新意。但我也曾注意到有一些例外的材料,可以对此做点补充。李先生最早的例子说到韩斡,而 Draw horses, draw the front and the back of the horse harder. What makes the artisans in the Han Dynasty find it hard to make progress? This year, Book City, No. 6, published an article by Mr. Li Fang titled “You Can not Draw a Positive Horse.” The article said that in Chinese art history, many people are good at drawing horses, but from Han to Xu Beihong, few people draw a horse from the front. The author analyzes the reasons from the psychology point of view, the conclusion is: “The reason why few people draw the horse from the front, perhaps because few people viewed a horse from the front. ” I really like this article, Because I noticed this phenomenon when I first came into contact with the materials of ancient art in college. Before I just thought of perspective problems, and Mr. Lee from the perspective of observers to analyze, more innovative. However, I have also noticed that there are some exceptions to this that can be supplemented. Lee said the earliest example of Han, and