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西方行为艺术在发展到第三十个年头的之时已经成为大多数艺术家会涉及的艺术创作方式之一,其中不乏一些闻名中外的经典之作,而西方大众在对行为艺术的接受程度上也是愈见宽容。反观中国行为艺术即使在经历了近三十年的发展却依旧游走在艺术生态的边缘地带,似乎从未得以向中心靠近半步,甚至近年来与大众的关系从尴尬向恶化演变,发展前景令人堪忧。本文以大众视野为立足点,力图获悉导致了中国当代行为艺术如今尴尬境地的主要原因一二,希望为行为艺术寻求在中国生存壮大的方法。
Western performance art has reached the thirtieth anniversary of the time when most artists will be involved in one of the ways of artistic creation, some of whom are renowned for the classics of both China and foreign countries, and the Western public acceptance of performance art is More tolerant. On the other hand, even after nearly 30 years of development, the performance art in China has still been walking on the edge of the art ecosystem. It seems that it has never been able to move closer to the center. Even in recent years, the relationship with the public has evolved from embarrassment to deterioration and has a bright future It is worrying. This article takes the public view as the starting point and seeks to find out the main reason that led to the current awkward situation of Chinese contemporary performance art. I hope to find a way to survive and grow in China for performance art.