日本小说家石坂洋次郎战前凭借一部脍炙人口的《年轻人》在日本文坛声名鹊起,战后则以《绿色的山脉》等一系列广受好评的作品奠定了其在日本近现代文学史上不可动摇的地位。他的作品被冠称为“青春物”“中间小说”等,大多属于大众文学的范畴。然而石坂洋次郎的文学之路并不是始自大众文学,而是纯文学(即私小说)。一个原本决意投身纯文学创作的文学青年缘何中途放 Japanese novelist Ishibashi Yasujiro earned a fame in Japan’s literary world with a well-known “young man” before the war. After the war, a series of critically acclaimed works such as “Green Mountains” laid the foundation for his unshakability in the history of modern Japanese literature Position. His works have been titled as “youth objects”, “middle novels” and so on, most of which fall into the category of popular literature. However, Ishibara Yasujiro’s literary path is not from popular literature, but pure literature (ie, novels). Why did one literary youth, who was determined to devote himself to pure literary creation, halfway?