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艺术家对光色有目的的表现是在文艺复兴以后。到了19世纪末,印象派画家们对光色的研究达到了前所未有的高度,无疑这对艺术进一步发展、推陈出新是一笔宝贵的财富,值得我们借鉴。文章将从达·芬奇、伦勃朗等大师的作品中对此解读探讨。
The purposeful performance of light colors by the artist was after the Renaissance. By the end of the nineteenth century, Impressionist painters had reached unprecedented heights in the study of light color. This is undoubtedly a valuable asset to the further development and innovation of the arts and is worth learning from. The article from Da Vinci, Rembrandt and other masters of the works of this interpretation.