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2000年,藏区作家阿来凭借《尘埃落定》获得茅盾文学奖,这样的成就使得文艺评论界把焦点转向了藏区文学的研究上来,之后对阿来与扎西达娃这两位藏区代表性作家的评论文章此起彼伏。作为民族作家,阿来与扎西达娃的作品展现的都是藏域的神秘与奇特。但是受时代背景和具体环境的影响,阿来与扎西达娃在小说主题上表现出了迥然不同的创作特点——阿来作品的主题侧重历史的书写与人性的呼唤,扎西达娃小说的主题主要集中在新旧意识下观念的冲突和生存之道的探索上。近年来,对阿来和扎西达娃单个作家作品的研究性文章虽然不能算得上是很多,可也不少。但是相对来说,把扎西达娃和阿来的创作放在一起比较研究的文章是少之又少。文章基于对阿来和扎西达娃小说创作主题的迥异探讨来发掘阿来和扎西达娃创作主题中的强大生命力和当代困境。
In 2000, A-lai, a writer in Tibetan area, won the Mao Dun Literature Prize on the basis of “settling the dust.” Such achievements have caused literary critic circles to turn their attention to the study of Tibetan literature. Later on, District representative writers comment articles one after another. As a national writer, the works of Ah Lai and Tashi Dawa are both mysterious and peculiar to Tibet. However, influenced by the background of the times and the specific environment, Ah Lai and Zhaxi Dawa have shown quite different creative features in the theme of novels - the theme of Ah Lai’s works focuses on the writing of history and the call of humanity, The theme mainly focuses on the exploration of the conflict of concepts and the way of existence under the old and new ideas. In recent years, the research articles on the works of a single writer from Allaah and Tashidawa can not be counted as many, but not less. However, comparatively few articles have compared the studies of Tashi Dawa and Ah Lai on the one hand. The article explores the powerful vitality and contemporary dilemmas in the themes of Ah Lai and Tashi Dawa based on the very different discussions on the themes of Ah Lai and Tashi Dawa’s creation.