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“文艺的工农兵方向”确立以后,解放区作家开始按照主流文学规范进行创作,出现了一系列大众化的文学作品。但文学毕竟不是政治,在一些艺术成就较高的文本中,我们仍然可以感受到文学的形象、审美对主流政治的疏离和消解,在一些积极实践文艺大众化的作家身上,我们发现了他们在自我言说与被主流政治言说的边缘游移、徘徊的写作状态。发掘研究这种写作状态中存在的政治主流话语与知识分子话语、民间伦理话语之间的摩擦、冲突,以及政治主流话语对非政治主流话语渗透的现象,有利于深化解放区文学的研究,也有利于还原解放区文学复杂的历史面貌。
After the “literary direction of the workers, peasants and soldiers” was established, the writers in the liberated areas began to create works according to the mainstream literary norms and a series of popular literary works appeared. However, after all, literature is not political. In some texts with high artistic achievements, we can still feel the image of literature, the estrangement and dissolution of the aesthetic from the mainstream politics. In some writers who actively practice the popularization of literature and art, Saying and being marginalized by the mainstream political speech wandering, wandering writing state. Exploring the phenomena of the mainstream discourse in the writing state, the friction and the conflict between the discourse of intellectuals and the discourse of folk ethics, and the infiltration of non-mainstream political discourse by the mainstream discourse of politics help to deepen the study of the literature in the liberated areas, Which will help to restore the complex historical features of the Liberated Areas literature.