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中国画是最能阐释中国文化、最适合中国人审美心理结构的一种艺术形式,因而中国画的文化精神直透中华经典文化精髓,其精神内核与美学标准与中国文化血脉相同。中国画的文化生命,微观上是画家本体的文化生命状态;从社会学范畴诠释,则是精神、流派、风格语言的统一体。作为中国画文化生命本真存在的世界,乃是纯生态与人文生态世界的互为关联与相互交织;同时,中国画文化生命体又有其相对独立之自律性空间存在。中国画以自然为文化生命的艺术本源,其题材界定之山水画、花鸟画、人物画本身便有生态文化特征。因此用文化生态思维方法诠释中国画,能引起我们对中国画本体生存与发展的深切思考。
Chinese painting is the most art form that can best explain the Chinese culture and is most suitable to Chinese aesthetic psychology structure. Therefore, the cultural spirit of Chinese painting permeates the essence of Chinese classical culture. Its spiritual inner core and aesthetic standards are the same as those of Chinese culture. The cultural life of Chinese painting is the state of cultural life of the painter on the micro level. From the category of sociology, it is the unity of spirit, genre and style language. As the true existence of the Chinese painting cultural life, it is the mutual connection and interweaving of the pure ecological and the humanistic ecological world. Meanwhile, the Chinese cultural life has its own independent space for self-discipline. Chinese painting takes nature as the artistic origin of cultural life, and the landscapes, flowers and birds paintings as well as the figure painting itself as defined by its subject matter have ecological and cultural features. Therefore, interpreting Chinese painting with cultural ecological thinking method can arouse our deep thinking on the survival and development of Chinese painting.