社会学家霍尔(Hall)曾经指出:“企业对艺术品的购买已经形成了一个独立的‘企业艺术’市场。这个市场本身也遵循着‘金钱话事’(money talks)的逻辑。于是,艺术日益被有钱购买它们的个人或群体所塑造。”霍尔的感受无疑是真切的。因为在很多时候,企业的收藏行为常常会导致其他企业的跟风效应(herding effect),并因此而不断强化这种效应。举例来说,1987年3月,日本安田保险公司 The sociologist Hall once pointed out: “Business purchases of artwork have formed an independent market for ’corporate art.’ The market itself follows the logic of ’money talks.’ , Art is increasingly shaped by individuals or groups that have the money to buy them. ”Hall’s feelings are undoubtedly real. Because in many cases, corporate collectibles often lead to herding effects in other businesses, and as a result, they continue to reinforce this effect. For example, in March 1987, Japan Yasuda Insurance Company