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生态学(自然/环境意识)对约翰·济慈的艺术成长和成熟产生了重要影响。济慈诗歌中自然意象的内化与外化首先不能从浪漫主义观念论的超验经验视点予以分析与阐释,而是要看作他为赢得艺术或美学声名而不断奋斗的影响因素。自然与创作冲动紧密相连,而这种连接又改善了诗人心灵中智识与哲学的架构。这种生态—心理—美学的对话立场提升了济慈意识中的构成档次,更重要的是提供了一种针对解构主义批评(它拆解了所有借助于现象学和阐释学话语解读济慈诗文的努力)的对抗性话语。鉴于济慈诗歌的特征并非自我封闭而是动态开放,他的自然诗也就为审美憧憬中的有益延宕提供了例证。
Ecology (Nature / Environmental Awareness) has a major impact on the growth and maturity of John Keats’s art. The internalization and externalization of natural images in Keats’ poetry can not be analyzed and explained from the transcendental empiricism point of view of romanticism, but rather as the influential factor in his continuous struggle to win the reputation of art or aesthetics. Nature is inextricably linked with the impulse of creation, which in turn improves the structure of intellect and philosophy in the poet’s mind. This ecologically-psycho-aesthetically-oriented dialogues enhance the compositional grade of Keats’s consciousness and, more importantly, provide a critique of deconstruction (which dismantles all Keats’s poems by means of phenomenological and hermeneutic discourses Textual efforts) confrontational discourse. In view of the fact that Keats’ s poetry is not characterized by its self - enclosed but dynamic opening, his natural poetry also provides an example of the beneficial delays in the aesthetic expectation.