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从《喜福会》到《接骨师之女》,谭恩美小说中的人物主体在“失声”的根由和重新获得话语权的方式等方面都发生了变化,而且作者写作的叙事话语也从“东方主义”到“生态女性主义”有了明显的转变和进步。
From “The Joy Luck Club” to “Lady of the Bone Skater”, the subject in Amy Tan’s novels changed in the root of “Lost” and the way of regaining the right to speak, and the author’s narrative discourse also changed from “Orientalism ” to “eco-feminism ” has obvious change and progress.