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我们今天拥有的贝多芬钢琴奏鸣曲,是作曲家从他的孩提时代直到1822年的发展过程中最准确、最连贯的写照,中间几无中断。他在12岁时就发表了一组(三首)奏鸣曲作品,是为他的选帝侯(Elector)创作的,无编号,于1783年出版。这些小奏鸣曲形成了当时键盘音乐的风格。1796年,贝多芬由维也纳寄给Eleohore von Breuning他早先写的一首C调“简易奏鸣曲”(EasySonata)的片断,充满优美和浪漫的魅力。 在1796—1802年的7年间,贝多芬完成其大部分钢琴奏鸣曲的创作,占全部中的前20首!在此期间一年至少一首以上,单在1802年就发表了五首。这说明了当时对奏鸣曲的需求。我们这位年轻的钢琴家注意到此,尽量满足。其实,没有任何要求他是当作耳边风的,无论是变奏曲,歌曲及各类室内乐等。记录表明,在此
The Beethoven Piano Sonata we have today is the most accurate and coherent portrayal of the composer from his childhood until 1822, with no interruption in the middle. He published a group of three sonatas at the age of 12 and was created for his elector, unnumbered, in 1783. These small sonatas formed the style of keyboard music at the time. In 1796, Beethoven was sent by Vienna to Eleohore von Breuning, a piece of C Son Easy Sonata he wrote earlier, full of beauty and romance. During the seven years from 1796 to 1802, Beethoven completed most of his piano sonatas, accounting for the top 20 in all! During this period, at least one song a year or more, Beethoven published five in 1802 alone. This shows the need for sonata at the time. Our young pianist noticed this and tried his best. In fact, there is no requirement for him to be regarded as earwinds, whether it is a variation of songs, songs and all kinds of chamber music. Records show that here