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回望2005年,国中艺术界活动频频,官方艺术、学院艺术和前卫艺术这三种艺术形态分别以各自的面容登台亮相,尤其是艺术市场的诱惑与冲击,极大地鼓舞了艺术家的斗志,国中诸多房地产商和其他一些行业的阔老们,将赚钱的目标和方向转移到艺术品的收藏上来,他们为此投入巨大的资金。他们手持名单、拎着皮箱敲开艺术家的工作室,现场交易;另外,海外画廊的介入,也激活了艺术家为之拼搏的热情。他们纷纷出笼,迎合市场、追赶各类画商,梦想在一夜间改变自己以往的一切。此外,各种拍卖会上报出的数字几乎是一个个天价,甚至令人不敢相信自己的眼睛和耳朵,以往那些非常遥远的传说现在就发生在眼前。对艺术家来说, 这确实是一个真实而巨大的诱惑。因此,他们以各种方式直奔市场,市场需要什么我就制作什么。然而,批评家在这个时候却显得不知所措, 不知如何判断眼前发生的一切而出现一种前所未有的失语状。
Looking back on 2005, there were frequent activities in the art circles in the country and in the middle ages. The three art forms, official art, college art and avant-garde art, made their debut with their own faces. The temptation and impact of the art market, in particular, greatly encouraged the artist’s morale, Many real estate agents in the country and elders in other industries shifted the goal and direction of earning money to the collection of works of art. They invested huge sums of money in this regard. They hand-held lists, knocking on the artists’ studios with luggage and trading on the spot. In addition, the involvement of overseas galleries also activated the enthusiasm for which artists worked. They have come out to meet the market, catch up with all kinds of painters, dreams of changing all their previous overnight. In addition, the figures quoted at various auctions are almost a high price, or even can not believe their own eyes and ears, the past, those very distant legend now happen. For the artist, this is indeed a real and huge temptation. So, they go straight to the market in various ways, and what the market needs is what I make. However, critics at this time seem overwhelmed, I do not know how to judge what happened before the emergence of an unprecedented aphasia.