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随着19世纪末20世纪初中西方国家经济文化交流的日益繁荣,钢琴成为了欧洲近代史上最受中国人欢迎的乐器之一。随着中国音乐文化的发展,钢琴音乐的中国风格不仅体现在演奏中,也更多地体现在了钢琴曲的创作中,一些音乐家希望能在这件外国乐器上演奏出具有中国特色的钢琴曲,用西方的钢琴来演绎中国风格的音乐作品,同时从中国音乐的精髓和神韵实现“二度”创作。本文中通过分析中国风格在钢琴演奏和创作中的体现,探讨钢琴音乐中的中国风格。望与读者产生共鸣。
With the flourishing economic and cultural exchanges between the Chinese and Western countries in the late 19th and early 20th centuries, the piano became one of the most popular musical instruments in modern history in Europe. With the development of Chinese music and culture, the Chinese style of piano music is not only reflected in the performance, but also reflected in the creation of the piano music. Some musicians hope to play the piano with Chinese characteristics on this foreign instrument Qu, with the Western piano to interpret Chinese style music, at the same time from the essence of Chinese music and charm to achieve “second degree” creation. This essay explores the Chinese style in piano music by analyzing the embodiment of Chinese style in piano performance and creation. Hope and readers resonate.