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三、開展鄉村文藝運動 為了深入地動員廣大農民羣眾全力支援戰爭,並提高他們的階級覺悟,華北抗日根據地和其他根據地一樣,自從八路軍挺進敵後、都開展了鄉村文藝運動,一掃國民黨軍狼狽潰退時的沉悶空氣。尤其在一九四一年減租減息發動羣眾之後,各地鄉村文藝運動,更得到進一步發展。從京漢路兩側三五裏內平原上的大村,到太行山深處一天只能見一會兒太陽的荒僻的山莊,到處飄蕩著抗戰的歌聲和慶祝翻身的鑼鼓聲。當時鄉村文藝運動發展的情形,可分做以下兩點來談:
Third, to carry out the rural art movement In order to further mobilize the broad masses of farmers to fully support the war and raise their class consciousness, like the other base areas in North China, since the Eighth Route Army entered the enemy’s country, have launched a rural art movement, swept away the Kuomintang army embarrassed to retreat When the dull air. In particular, after the mass reduction of rent and interest in 1941 to mobilize the masses, the rural literary and art movements in all parts of the country have been further developed. From Omura on the Three Wuli Plains on both sides of Jing Han Road, to the remote mountain valley where one can only see the sun for a while in the depths of the Taihang Mountain, the war song and the gongs and drums sounding over are floated all over the place. At that time, the development of rural art movement can be divided into the following two points: