“大片热”是当下中国电影最值得关注的现象,也是议论和讨论的核心话题。然而,从理论和实践上对之进行系统梳理和剖析的论著,真正严肃的学理探讨尚未出现。面对这一关乎中国电影的发展并必然对中国电影有重大影响的“大片热”,中国电影理论和批评界的“集体失声”,毫不客气地说,再一次使中国电影批评面临彻底丧失信誉的危险,也可能会真正失去重建的机会。有鉴于此,本刊特别邀请北京师范大学艺术与传媒学院影视与传媒系史可扬教授及部分影视专业硕士研究生,在日常学习和讨论的基础上,从不同层面与角度对国产大片进行了集中“笔谈”,内容涉及国产大片的主题、叙事、文化谋略、接受、影像、美术等几个方面,文中所时时显露出来的理论敏感、艺术领悟,都带有青年人的锐气和激情,持论剀切,充满理性,对于剖析解读国产电影大片和丰富电影艺术研究多有启示。 “Blockbuster” is the most noteworthy phenomenon in contemporary Chinese movies and is also the core topic of discussion and discussion. However, from the theory and practice of systematic combing and analysis of the treatise, the real serious theoretical discussion has not yet appeared. In the face of this “blockbuster” fever that is bound to have a significant impact on the development of Chinese cinema, which is bound to have a significant impact on Chinese cinema, the “collective discourse” of Chinese film theory and critics has said without any further comment that once again the Chinese film criticism is completely lost The dangers of credibility may also truly lose the chance of reconstruction. In view of this, this magazine specially invited Professor Shi Keyang and some masters of film and television of Department of Film and Media of Beijing Normal University, School of Art and Media, Beijing. On the basis of daily study and discussion, domestic films were concentrated from different aspects and perspectives “Writing Notes” covers the topics of domestic films, narratives, cultural strategies, acceptance, images and fine arts. The theoretical sensitiveness and the art appreciation revealed in the article have both the spirit and passion of young people. Cut, full of reason, for analysis and interpretation of domestic movie blockbuster movie art and more enlightenment.