纪念马连良先生是一个很有意义的事儿,谈这个大题目,说马派怎么形成的等等,我没有资格说。我是1932年10岁的时候到了北京,从那时起,除了有一段时间马先生在香港的时候咱们看不了,只要在北京、在天津,马先生的戏只要有机会我就看,应该说我是马先生的忠实观众。我曾经提过,马派要创新,创新有各种创法,不一定非得编新戏,不一定就要重新来。那个时候每天都有戏,一唱就唱个把月,哪能天天都《借东风》、《清风亭》啊?那不行,也用不着那么大块戏。比如《调寇审潘》、《清官册》,这都不新鲜,还有马富禄反串老旦的那出《焚绵山》,也唱过。马先生刚从香港回来的时候,在天津演出,当时正赶上 It is a very meaningful thing to memorialize Mr. Ma Liangliang. I am not qualified to talk about this big issue, how the horse was formed, and so on. I was in Beijing in 1932 when I was 10 years old. Since then, except for a period of time when Mr. Ma was in Hong Kong, we could not see it. As long as we were in Beijing and Tianjin, I am Mr. Ma’s loyal audience. As I have mentioned before, the Malaysian faction has to innovate and innovate in a variety of ways. It does not necessarily have to compile new plays and it does not have to be repeated. That time every day play, singing a month to sing, how can every day, “by the east wind”, “breeze kiosk” ah? That does not work, also do not need such a big piece of drama. For example, “Tun Kou pan”, “Ching official book”, this is not new, there are Ma Fulu anti-Laodan that “burning Mianshan”, but also sung. When Mr MA just returned from Hong Kong, he performed in Tianjin and was catching up