论文部分内容阅读
红五月,戏剧创作坐谈会在北京召开了。来自全国二十七个省、市、自治区以及解放军的剧作者们怀着喜悦、兴奋的心情,参加了这次盛会。召开这样的坐谈会是大家盼望已久的。粉碎“四人邦”以后,戏剧创作有了可喜的收获,一些重大题材,如塑造老一辈革命家形象,反映党的第十一次路线斗争,开始在午台上得到表现,很需要总结经验。另一方面,过去被“四人邦”搞乱了的创作思想、创作理论问题也亟待澄清。为了肃清“四人
Red May, drama creation symposium was held in Beijing. Playwrights from 27 provinces, municipalities and autonomous regions throughout the country and the People’s Liberation Army took part in the event with joy and excitement. It is a longing for everyone to hold such a symposium. After smashing the “gang of four,” there has been a gratifying harvest in drama creation. It is necessary to sum up experience on major themes such as shaping the image of the revolutionaries of the older generation, reflecting the party’s eleventh-line struggle and starting to show on the afternoon stage . On the other hand, the creative thinking and creative theory issues that were confused by the “gang of four” in the past are yet to be clarified. In order to eliminate "four