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中国绘画在五千多年的文明发展中,形成了独立的山水画体系,而山水画体现了中国人对山水环境的独特认识和哲学理念,反映出中华民族特有的风水意识。唐宋以来,山水画逐渐融汇了中国特有的思维方式、文化修养、美学观念、哲学思想与审美意识。从谢赫“六法论”,张(王噪)“外师造化,中得心源”,到近现代“新中国画”,“新文人画”和近几年的笔墨争论,中国山水画经历了从建立一系列完整的经验和理论再到重建当代
In the five thousand years of Chinese civilization, Chinese painting formed an independent system of landscape painting, and the landscape painting embodies the unique Chinese understanding of the landscape and philosophical concepts, reflecting the unique geomancy consciousness of the Chinese nation. Since the Tang and Song Dynasties, landscape painting has gradually merged Chinese unique ways of thinking, cultural cultivation, aesthetic concepts, philosophical thoughts and aesthetic awareness. From the six theories of Sheikh, Zhang (Wang noise), “outsiders make good fortune, get the heart source”, to the modern “new Chinese painting”, “new literati painting” and pen and ink controversy in recent years, Chinese landscape painting experienced from Establish a series of complete experience and theory and rebuild the contemporary