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纵观后主李煜留下的30余首作品,除了艳情一类,其余触目处满是愁苦的字眼。无论是贵为帝王还是沦为囚徒,李煜都以其作品为我们营造了一个极为浓厚的悲愁氛围。而细品其诗词作品,根据南唐亡国前后政治局势的变化,又可以进一步将“愁”内容含义分为闲愁和悔恨之愁两种。由此,本文选取五代十国时期的南唐文化作为切入点,重点从“愁”的感情基调和南唐的政治文化这个角度来对李煜作品的词风作简要的分析。
Looking back at the more than 30 works left behind by the main Li Yu, in addition to a kind of erotic, the rest touch on full of sad words. Whether it is for the emperors or become prisoners, Li Yu with his works for us to create a very thick atmosphere of sadness. The fine works of their poems, according to changes in the political situation before and after the fall of the South Tang Dynasty, but also can be further divided into “worry” content meaning into two kinds of worry and regret. Therefore, this article chooses the Southern Tang culture during the Five Dynasties and the Ten Kingdoms period as the breakthrough point, and mainly analyzes the style of Li Yu’s works from the perspective of the emotional tone of “Melancholy ” and the political culture of Southern Tang Dynasty.