论文部分内容阅读
现代诗学中的艺术化倾向 ,主要是指对新诗形式美的关注和强调。早期新诗人把“自然”作为最高诗艺准则并一味强调情感的自由自发抒写 ,由此造成的诗艺自由主义流弊严重影响新诗的发展。作为对自由主义诗学倾向的反拨和修正 ,要求新诗注重艺术特性的呼声从新诗创作初期就已存在。五四之后几年间 ,白话—自由诗的弊端越来越严重 ,这种呼声也就越来越强烈 ,终于酿成 192 6年的新格律诗运动。新格律化主张的形式标志着新诗艺术化观念的成熟。由于学术界对现代诗学中的“艺术化”倾向的历史背景及演进脉络缺乏深入的探讨 ,本文尝试对此进行系统的梳理和初步的评价。
The tendency of artistry in modern poetics mainly refers to the concern and emphasis on the formal beauty of new poetry. Early new poets take “nature” as the highest poetic criterion and blindly emphasize the spontaneous and spontaneous expression of emotions. The resulting poetic liberalism has a serious impact on the development of new poem. As a callback to and revision of the liberal poetics tendency, the call for new poetry to pay attention to artistic characteristics has already existed since the early poetic creation. In the years after May 4, the vocal vernacular-free poem became more and more serious, and the voices became stronger and stronger. Finally, a new verse movement of 192,6 years was formed. The new form of the legalization of the mark marks the maturity of the artistic concept of the new poem. Due to the lack of in-depth discussion on the historical background and evolution of the “artistry” tendency in modern poetics, this paper attempts to systematically sort out and preliminary evaluate it.